A streaming media and video terms glossary that contains definitions of acronyms, technologies and techniques. The definitions are related to live streaming, broadcasting, video hosting and compression.
These video terms are relevant for both new techniques and legacy methods, which still have ramifications today when handling older media. There is a larger emphasis for online video applications, although a few terms which have roots in older methodology and processes. The glossary will be continuously updated as the industry evolves. If you are looking more for some tips on executing these terms, check out these 5 Pro Tips for Video Production.
With roots that date back more than a century ago, the Department of Theatre of Films Studies at the University of Georgia has a long-standing tradition of preparing students to become leaders in theatre, film, and digital media practice. Part of their curriculum has included putting on intricate, headlining theatrical shows several times a year for audiences to enjoy. However, this program was directly impacted due to the COVID-19 pandemic.
Discover how the University of Georgia, by partnering with AT&T and IBM, was able to not just successfully pivot performances to online with great video quality and content security, but also expand their programming.
Have you ever seen video content that looks like the image above, but weren’t sure of the cause? These overt horizontal lines, appearing as pixelation around movement like out of an old school Atari game, are an artifact created from presenting an interlaced source in a progressive format.
This article explains what is interlaced video content and which sources, such as analogue cameras, can produce this type of video content on a live streaming platform. It then goes over deinterlacing techniques to remove this artifact and how to easily enable it on the encoder side… and why you wouldn’t want to use deinterlacing on content that is already progressive.
Ever dealt with a viewer you had to turn away because their connection speed was simply too slow, even at the lowest quality setting? Audio-only playback for video streaming can be a possible solution. It offers a low bandwidth option for an on demand and live streaming platform that can further broaden accessibility to content.
This feature was recently introduced for IBM Video Streaming and IBM Enterprise Video Streaming.
GROHE, a leading global brand for complete bathroom solutions and kitchen fittings, has long participated in some of the industries largest events. As one of the biggest players in the sanitation space, this would mean elaborate and involved appearances at fairs, trade shows and other venues. However, these activities have involved in-person elements, an aspect that during the COVID-19 pandemic became harder to support in a safe manner.
Learn how GROHE, through partnering with IBM and VOK DAMS, has been able to successfully pivot toward launching robust digital experiences that continue to engage viewers on a daily basis.
Looking for a faster method to upload videos? Need one that isn’t restricted to accessing the dashboard of a video streaming, enterprise video streaming or virtual events platform account?
IBM is introducing video uploading through APIs. This allows organizations to upload video files into IBM’s video platform programmatically, without requiring access to the account’s dashboard. This opens new opportunities for uploading files while also being a faster approach versus the traditional dashboard uploading.
The default mental image of video compression involves unwanted video artifacts, like pixelation and blockiness in the image. This sells short, though, the complexity that actually goes into compressing video content. In particular, it overlooks a fascinating process called interframe, which involves keyframes and delta frames to intelligently compress content in a manner that is intended to go unnoticed.
This article describes this process in detail, while also giving best practices and ideal encoder settings that you can apply for use with your live streaming platform.
2020 was very much the year of virtual events, as previously physical venues began offering an online version of their event. Often times this would include interactivity among viewers or participants, letting them feel more involved. With people staying remote due to the pandemic, these types of events skyrocketed in adoption. As outlined in our 2021 video trends webinar, we have reason to believe that this year will also tremendous use of virtual events with high usage and evolution of the concept.
So what types of virtual events are out there? Which ones are right for you, and what might your goal or goals be? We outline 8 different use cases for your virtual events platform and possible goals to help your event be a successful one.
Have a new version of a video but don’t want to lose analytics or redo embeds?
IBM is introducing a replace video feature for its video streaming and enterprise video platforms. This allows organizations to update outdated videos with newer versions while not having to worry about the logistics around URL links or instances where the video was embed. As a result, it provides a relatively quick method for content to be cycled and remain relevant to target audiences.
Back in the 1950’s and 60’s, much (if not most) early broadcast radio and television programming was produced and broadcasted live.
The skills of producing a live broadcast were refined and improved through the years. Early radio broadcasters like Alan Freed and Dick Clark, TV soap operas like As The World Turns and The Edge Of Night, most US News coverage, sporting events like the Superbowl and of course shows such as Saturday Night Live all have also used live television as a device to gain viewers by making their programs more (or atleast appear) exciting.
But the skills these producers used, whether for the 1969 Landing on the Moon, the 1996 Dallas Cowboys Superbowl victory or the live episode of ER in 1997, are no different than for a live streaming show or event.